Selasa, 29 Juli 2014

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A People's History of the American Revolution: How Common People Shaped the Fight for Independence, by Ray Raphael

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A People's History of the American Revolution: How Common People Shaped the Fight for Independence, by Ray Raphael

A sweeping narrative of the wartime experience, A People's History of the American Revolution is the first book to view the revolution through the eyes of common folk. Their stories have long been overlooked in the mythic telling of America's founding, but are crucial to a comprehensive understanding of the fight for independence. Now, the experiences of farmers, laborers, rank and file soldiers, women, Native Americans, and African Americans -- found in diaries, letters, memoirs and other long-ignored primary sources -- create a gritty account of rebellion, filled with ideals and outrage, loss, sacrifice, and sometimes scurrilous acts...but always ringing with truth.

  • Sales Rank: #427102 in Books
  • Published on: 2002-06-18
  • Released on: 2002-06-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .85" w x 5.31" l, 1.00 pounds
  • Binding: Paperback
  • 528 pages

From Publishers Weekly
California-based writer Raphael (An Everyday History of Somewhere; etc.) offers an accessible study of the American Revolution, as part of a series edited by Howard Zinn, and in the tradition of his A People's History of the United States. Most books on the Revolution focus on generals and kings, although scholars have, in the last two decades, turned some of their attention to the lives of ordinary people. Raphael transforms the best insights of that scholarship into a lively, readable narrative. Yes, kings and generals were important, but it was the people at large who brought about American independence. Even before the war started, ordinary people were involved in protesting British abuses, refusing to consume tea and other British luxury items. Women supported the Revolution by spinning their own cloth (rather than buying it from Britain) and working the farms their husbands left behind when the militia called them to the front. Young men eager to "git" their rights uncomplainingly subsisted on moldy bread while they camped out in the snow, waiting to encounter Redcoats. White colonists weren't the only Americans affected by the war. Abenaki Indians, for example, were paid to fight alongside the rebels. Raphael also shows how many slaves, infected with the freedom-fighting spirit, bid unsuccessfully for their own independence via insurrections, escape and reasoning. Both English and American armies wanted the slaves' loyalties, and the slaves, in turn, believed that if they served the winning side, they would gain freedom. Moving from broad overviews to stories of small groups or individuals, Raphael's study is impressive in both its sweep and its attention to the particular. The book will delight, educate and entertain all Revolution buffs. (Apr.)
Copyright 2001 Reed Business Information, Inc.

From Library Journal
Raphael (Men from the Boys: Rites of Passage in Male America) narrates the American Revolution from the eyes of the common people who, without wealth, authority, or privilege defined and shaped the Revolution. He argues that the Revolution was largely the product not of the patrician classes of Virginia or New England but of the common people. Through letters, diaries, and other accounts, Raphael shows these individualsDwhite women and men of the farming and laboring classes, free and enslaved African Americans, Native Americans, loyalists, and religious pacifistsDacting for or against the Revolution and enduring a war that compounded the difficulties of everyday life and that resulted in a higher percentage of American civilian and military deaths than any of America's other wars except the Civil War. Written for the lay reader, this work synthesizes recent historical scholarship on the Revolution and maintains the high standards of editor Howard Zinn's "People's History" series. Strongly recommended for public and academic libraries.DCharles L. Lumpkins, Pennsylvania State Univ., State College
Copyright 2001 Reed Business Information, Inc.

From Booklist
Not a narrative of battles, not an analysis of causes, not a paean to patriotism, not a tarring of Tories, Raphael's volume instead collects the experiences of ordinary people during the American Revolution and sutures them into a story. And that story is that the rebellion and war inescapably influenced everyone--farmers, townspeople, women, Indians, free blacks and enslaved blacks, plutocrats and proletarians. And a list including such categories indicates the class-consciousness of this, the inaugural volume in a series overseen by leftist historian Howard Zinn. A synthesis of radical historiography on the Revolution already exists in Gordon Wood's The Radicalism of the American Revolution (1992), so the unique value of Raphael's work lies in its mining, from extant primary sources, of the extraordinary recollections of ordinary witnesses to history. Patron demand for Raphael's tome may never be as high as that for the most popular Revolutionary War narratives and biographies, yet this book constitutes a substantial alternative to "great-man" approaches to the upheaval. Gilbert Taylor
Copyright © American Library Association. All rights reserved

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35 of 43 people found the following review helpful.
History you can believe - Imagine that !
By Daryl Anderson
What great news to hear that Howard Zinn and the New Press are creating a "People's History" series!
Even better news is the outstanding job Ray Raphael has done of this first effort in that series. He has taken on the overall approach of the 'original', Zinn's "People's History of the United States" and applied it to the "creation myths" of our country in a way that creates real history which is captivating even as it strips the gloss from the schoolboy history handed on for generations.
The really nice thing is that Raphael has accomplished this with a voice that is unique to himself and to this book. No mere expansion of a chapter from the earlier Zinn book, this. Even having read Zinn's book, I found that this one retained the same ability to amaze me with fundamental reexamination of core beliefs.
At its center this book is, more than anything else, a study of how revolution happens. As such it is important reading for anyone who considers how fundamental change might happen in this country, if ever, again. The real myth of our history is not so much the focus on individual heroics or great battles as the implicit claim that our revolution fell into place so neatly, so quickly. Somewhere between chapters 3 and 5 in our history books the Brits passed some taxes, the Colonists rose up in righteous indignation, the battle was at hand - then won.
Raphael demonstrates at length, through original sources created by regular folks, that the whole business was much longer work than that. People don't just rise up overnight, casting off habits of mind and cultural expectations of what can and cannot be done. People don't just sit down and pen some pamphlets or high-sounding declarations and raise armies.
This book shows how, over decades, a broad sweep of reaction against oppressive institutions by everyday people built a solid groundwork which meant that the final "revolution" was neither unexpected nor un-practiced. He describes how many earlier uprisings, revolts, and proto-revolutions radicalized the populace and eroded assumptions about rights of elites. He describes how the vast majority of disenfranchised poor played a fundamental role in shifting those assumptions.
Throughout he reminds us of what a complicated business it was. From the broad in scope - the impossibility of raising a standing army from reluctant and other-committed farmers and family men, (and the consequential injection of a military draft and a messy cash-buyout business) to the narrow - why the "tea party" energized so many common folk to whom tea was the ultimate class icon.
Thoughtful people have learned to be skeptical of delivered history. But it really helps to have something real to counterbalance mere skepticism. This history is real, this is eye-opening stuff, this is the rest of the story.

0 of 0 people found the following review helpful.
this is a the perfect book for an introduction to the how the American ...
By Nick and Lauren
Written in easy-to-understand prose, with moderate vocabulary and captivating historic vignettes, this is a the perfect book for an introduction to the how the American Revolution affected the common people. This includes the more marginalized groups, like Women, Native Americans and African Americans. An excellent starting point for delving deeper into the struggles of the masses during the war. The book includes a plethora of quotes from first and secondary sources, and facts abound. Sometimes, the prose gets bogged down in those facts and quotes, but they help assure the reader of the through research Raphael did for this work. It is important to remember that even this is, again, only part of the story. Granted it is a side not often told, and that alone makes it worth reading, but often the choices made by those in charge make no sense to those following order. This doesn't excuse the out-come, but it behooves us to remember to read and study all sides while forming an opinion. That being said, this book is an excellent addition to a library about the American Revolution.

24 of 26 people found the following review helpful.
ok but not the greatest
By Yalensian
Raphael's goal is an admirable one, and his topic is of great importance to any study of the American Revolution. Indeed, the "common people" (including women, slaves, and Indians) are too often overlooked in histories of the period, and their roles were critical. For example, the HUGE influence slaves had on how the war was fought in the South is sadly ignored, despite the fact that no understanding of that aspect is complete without it. That said, the book is not the whole story and is best read in combination with a work focusing on the "great men" and events "at the top"--perhaps Gordon Wood or Bernard Bailyn. Such a combination, I think, would provide a fuller portrayal. My major complaint with the book is its inclusion of page upon page of source material. I understand that for some this is a strong point of the work and that Raphael is trying to let these common folk speak for themselves. But the extraordinarily long quotations (sometimes pages in length) prevent Raphael's own voice and analysis from coming through. And in my opinion, the lengthy quotations from secondary sources could have been eliminated and summarized. He would have been well advised to limit the direct quotations and focus on a more in-depth analysis. After all, if one wanted to read straight primary sources, there are collections of documents available. But these flaws notwithstanding, the book deserves a read, if only to fill in the gaps left by high school history courses.

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Senin, 28 Juli 2014

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  • Original language: French
  • Dimensions: 6.69" h x .79" w x 9.45" l,
  • Binding: Paperback

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Biblical References in Shakespeare's Plays, by Naseeb Shaheen

The hundreds of biblical references in Shakespeare's plays give ample evidence that he was well acquainted with Scripture. Not only is the range of his biblical references impressive, but also the aptness with which he makes them. Hamlet and Othello each have more than fifty biblical references. No study of Shakespeare's plays is complete that ignores Shakespeare's use of scripture.

The Bibles that Shakespeare knew, however, were not those that are in use today. By the time the King James Bible appeared in 1611, Shakespeare's career was all but over, and the Anglican liturgy that is evident in his plays is likewise one that few persons are acquainted with. This volume provides a comprehensive survey of the English Bibles of Shakespeare's day, notes their similarities and differences, and indicates which version the playwright knew best. The thorny question of what constitutes a valid biblical reference is also discussed.

This study of Shakespeare's biblical references is not based on secondary sources. The author owned one of the world's largest collections of early English bibles, including over one hundred copies of the Geneva bible and numerous editions of other Bibles, prayer books, and books of homilies of Shakespeare's day.

To be of real worth, a study of Shakespeare's biblical references should also enable the reader to determine which references Shakespeare borrowed from his plot sources and which he added from his own memory as part of his design for the play. The author studies every source that Shakespeare is known to have read or consulted before writing each play and has examined the biblical references in those sources. Shaheen then points out which biblical references in his literary sources Shakespeare accepted, and how he adapted them in his plays. This information is especially valuable when assessing the theological meanings that are sometimes imposed on his plays, meanings that often go beyond what Shakespeare intended or what his audience must have understood.

Biblical References in Shakespeare's Plays is considerably broader in scope than any other study of its kind and provides the scholarly checks and balances in dealing with the subject that previous studies lacked.

  • Sales Rank: #327311 in Books
  • Published on: 2011-07-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.39" h x 2.30" w x 6.64" l, 3.50 pounds
  • Binding: Hardcover
  • 880 pages

About the Author
Naseeb Shaheen (1931-2009) was professor of English literature at the University of Memphis, Tennessee and an internationally known authority on Shakespeare.

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8 of 10 people found the following review helpful.
Shakespeare's understanding of faith in humanity
By Leonardo Wilborn
Shaheen is a good reference for anyone who is interested in learning how much of the bible Shakespeare used in his plays. Along with the biblical chapter and verse citations, Shaheen also refernce's the commonly understood practice of faith during the time Shakepeare was writing. What did the Catholic and Angelican church practice? What bible or biblical references did Shakespeare have access to? Shaheen gives one a bird's eye view of how the Christain church may have positively impacted the words, thoughts and faith of William Shakespeare.

0 of 0 people found the following review helpful.
Should be used in conjunction with Steven Marx's midrash approach to Shakespeare's biblical plot echoes
By PF-Flyer
Naseeb Shaheen's book is a valuable resource (but perhaps too expensive). It's very similar to Charles Wordsworth's book, Shakespeare's Knowledge and Use of the Bible, originally published in the 1800s, and like C.Wordsworth's book, includes appendices that allow one to search according to scripture passage (what are ALL of the Shakespeare plays that contain a reference to a certain passage in the bible?), and by play (what is the progression of scripture references as one pages through a particular play?). C.Wordsworth devoted an early section of his book to the similarities in phrasing (between bible and Shakespeare), and admitted that perhaps this would seem superficial to some. Shaheen pays very close attention to detail, to distinguish when Shakespeare seems to be alluding to the Geneva (Protestant) Bible (often from the older Greek texts), or the Douay-Rheims (Catholic translation from the already-translated Latin), or from the liturgical translation of the Psalms in common use.

This is all fine and interesting, but it avoids the more interpretive questions that follow: In a particular play, at a particular point in the text, *why* would the author have alluded to a particular scripture passage? What does it mean? Why hold the scriptural mirror up to the audience at that particular moment? What does the author and play attempt to accomplish by pushing the buttons of the church-going, bible-reading Elizabethan audience in those ways? (Shaheen's book does not explore these questions, but Steven Marx's much shorter book, mentioned below, does.)

Shaheen is perhaps too quick to dismiss possible biblical references merely on the basis of a non-biblical reference being another option. For example, if a passage in Julius Caesar resembles a passage from the bible, but also resembles a passage from an ancient Greek or Roman text, Shaheen tends not to consider that it may reference both the biblical and non-biblical sources. This is a disappointment, but at least Shaheen attempts to note these places and argue his case.

Also, as with Charles Wordsworth's book, Shaheen tends to look much more to the surface of the text in the phrasing of the words, rather than to consider plot similarities or echoes. This is perhaps where this otherwise very valuable resource really falls short.

On this point, a better approach is outlined by Steven Marx's Shakespeare and the Bible (Oxford Shakespeare Topics), who not only considers the surface allusions, but also examines the plays as a sort of midrash, rethinking biblical themes and plots.
http://www.amazon.com/Shakespeare-Bible-Oxford-Topics/dp/0198184395/ref=tmm_pap_title_0?ie=UTF8&qid=1419711681&sr=1-1
Steven Marx considers a handful of plays, but not all of them. For example, he does not consider Hamlet, which is rich in biblical plot echoes that are not touched by the surface allusions. He also misses some allusions that are really not far below the surface.

For example, early in Hamlet, when Horatio and Hamlet are first reunited after Horatio's first encounter with the ghost, Horatio declares himself to be Hamlet's servant, and Hamlet says, no, he would switch places with Horatio on that score. This is clearly a reference to the scriptural admonition from Jesus to his disciples that, if anyone wants to be the greatest, he must be servant of all. But the reference is not encapsulated in the superficialities of the language, and therefore, it can't be attributed to the Geneva Translation, or the Douay-Rheims, or the Book of Common Prayer, and in fact, it seems to escape Shaheen's gaze, at least in this book-length treatment. And this is only one example. There are many, many more in the plays, where the references are often not contained in the phrasing.

And in fact, it could be that some of the most important biblical references, by necessity, could not be so obviously contained in the phrasing, because of the government censors who had to approve the text. Certain similarities to biblical passages or stories might be more dangerous to make too obvious.

This is not to say the book is not a fine accomplishment and a most helpful resource. It certainly is. But perhaps too many readers will assume that it's an exhaustive treatment of the biblical references in the plays, when in fact it only tries to be an exhaustive treatment of the references in the phrasing of the plays, a level quite close to the surface. Yet we know that Shakespeare's plays are many fathoms deep, to paraphrase Hamlet, and if we ignore that, we may be blown at the moon for all we miss.

8 of 11 people found the following review helpful.
MUST OWN!
By Wende L. Wagner
I have had the wonderful pleasure of having Dr. Shaheen as a professor for the past 5 years and this book is pure literary genius. Having spent his entrie professional career researching and documenting all biblical references in all of Shakespeare's works, Shaheen leaves nothing to question. He knows exactly what he is talking about and this book is a must have for any Shakespeare scholar or anyone interested in the literary use of the bible. Not only are his lectures amazingly informative, this book is as well.

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Jumat, 25 Juli 2014

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  • Binding: Paperback

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Minggu, 13 Juli 2014

[Z710.Ebook] Download Business Unlimited: Memories of the Coming Kingdom, by J. Gunnar Olson

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This is the story of J. Gunnar Olson, an ordinary man's life turning into an extraordinary journey impacting nations, presidents and kings. It tells of a dream becoming reality, influencing the lives of people throughout the world. As he experienced the limits of success and personal ambition he discovered an incredible liberty that tis available to everyone. A must read for every serious follower of Jesus Christ in the marketplace.

  • Sales Rank: #389727 in eBooks
  • Published on: 2015-01-24
  • Released on: 2015-01-24
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Amazing testimonies! The only thing is that it would ...
By Wonmu Hur
Amazing testimonies!
The only thing is that it would have been
lot better if the author, a non native English speaker, had someone else proof read the original script throughly to make it sound more natural and fluent.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Perfect book

5 of 5 people found the following review helpful.
Business is unlimited in the KOG!
By C. Au
Business Unlimited is a self account of Gunnar Olson's walk with God through his career and business and clearly paints a picture of how his walk affected himself and his family. After reading the book, I can see clearly that Gunnar was a ordinary person, who because of his faith to walk with God, embarks in a lifelong extraordinary journey. Through Gunnar's obedience, God not only changes him, but his family, friends, business, church, community, towns, and nations. Who would have thought that a man who came from such a broken family could have such impact? The hope that his story gives to believers who want to make a Kingdom impact in and through their business is basically that it can be done. The choice that Gunnar made early in his life and career, to trust God with "all his mind, soul and strength" enabled God to be able to use him to further the Kingdom.

Gunnar is realistic when he recounts his life's walk. He does not only account all the great things that happened, but also paints a picture where the reader can see his own personal internal struggle for decisions he had to make in following God's will. He recounts the sacrifices God has asked him to make such as giving away all his savings when he was about to start his own company, but God always provided for him. By taking a small step of faith little by little in his business decisions and choices, God gave Gunnar more than he could have ever imagined if he were to do things himself. When projects and plans did not go right, Gunnar shows time and time again of God's grace, favor and power in any situation. Gunnar also shows us that everything that happens is part of a bigger plan and destination, that his business endeavors and contacts would lead him to found his ministry.

I have always wanted to start my own business and run a company where I could further the Kingdom. Reading Gunnar's story I can see how he and his business was used by God. How can I position myself in a way that God can use me to impact those around me, then a community and nation? I know that God has plans for me, to prosper me and to give me a hope and a future, but there are many areas in my life I still have to grow in in order for me to get to a point where I can truly walk with God without fear or hinderence. Regardless of how I feel about my current state, I know God will use me in spite of myself, so all I can do is to "Go" and take little steps of faith.

The take away from Gunnar's account is that business can be unlimited, and that it encourages us to want that in our life, business and career because we all can live an extraordinary life too! I want to see how God will use my future business in his plans!

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Jumat, 11 Juli 2014

[S431.Ebook] Download Certified Professional Medical Auditor CPMA ExamFOCUS Essential Study References 2013: Focusing on Auditing, Documentation, Standards and S

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According to the AAPC, a Certified Professional Medical Auditor has a good understanding of the knowledge of medical documentation, fraud, abuse, and penalties for documentation and coding violations based on governmental guidelines, and is well trained on medical record auditing skills. Of the various topics covered in the exam, Auditing, Documentation, Regulatory Standards and Statistical sampling are among those that are most difficult. This book focuses on these exam topics: Auditing, Documentation, Standards and Statistical sampling.

  • Sales Rank: #1814796 in Books
  • Published on: 2013-05-26
  • Format: Large Print
  • Original language: English
  • Dimensions: 10.00" h x .16" w x 8.00" l,
  • Binding: Paperback
  • 68 pages

About the Author
We develop study material entirely on our own. Braindump is strictly prohibited. We provide essential knowledge contents, NOT any generalized "study system" kind of "pick-the-right-answer-every time" techniques or "visit this link" referrals.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Don't waste your money
By Amazon Customer
Book only reviews what is in the NAMAS book not what is on the exam. Anyone who audits and has knowledge about Compliance should know or at least be aware of anything in this book. Don't waste your money.

5 of 6 people found the following review helpful.
This was not worth the paper it was printed on.
By brownlee47
I have taken the CPMA exam before and can not see how this would help anyone to prepare. You would be better off buying practice exams from AAPC.

1 of 1 people found the following review helpful.
satisfied
By Donna S
this book was what i was expecting.....will help with passing my CPMA examin a couple of months
i look forward to more purchases

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Selasa, 08 Juli 2014

[U270.Ebook] Ebook From Sleep: From Imagination to Reality (Key Book 1), by Clinton Bowers

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From Sleep: From Imagination to Reality (Key Book 1), by Clinton Bowers

Key is no ordinary imaginary friend. He's the only one he knows of who's actually come back from the sleep that all imaginary friends succumb to when their creators forget about them. Did the girl bring him back or did he wake up on his own? Does she need his help? Where is she? These are all questions that help him determine that he needs to find her.
There are a few problems though. For one, he can't remember his past. Images and moments come and go but they are all so fuzzy. The next problem is, that shorty after he wakes in the Wylds, (a world between worlds filled with everything everyone has ever imagined or dreamed about) the evil witch Baba Yaga becomes obsessed with capturing him and using the immense power he possesses for her own ends.
His travels between the Wylds and Clockwork (what those from the Wylds call our world) gain him a small group of friends, namely, Tersius; a man dressed in red and able to wield three swords at once, a Welshire Cat; cowardly and a bit insane, Ashen; the blood thirsty princess of a long collapsed empire, and Dugan; a bad man turned good.
While the Wylds are full of glamour and imagination, they are deadly to anyone who steps off the path, Clockwork is almost equally as dangerous. Their lack of color and imagination threaten to unravel the existence of anyone outside of its realm of reality. And there are men in black suits and fedoras constantly on the look out for people like Key and his friends. Men who believe it is their soul purpose to destroy anything that makes sense. They are called Clockworkers, and mercy is something they do not believe in.
While Key slowly learns bits from his past, seemingly at random he is thrust into communication with the girl that brought him into existence through dreams. While visiting her in one of these dreams he has a horrifying revelation. She is at a special school being trained to become one of these Clockworkers, and she doesn't want him to come to her aid. She likes her life the way it is.
But there is more lurking in the depths of his past that he cannot remember. Something that must be brought to light before either of them can continue on with their lives, and something that if not discovered, will bring them to madness. And there isn't much time.
With his friends, his abilities, and his magic set of chalk, Key sets out to infiltrate a Clockworker compound in order to kidnap the girl who made him live so that he in turn, can help her live.
But with Baba Yaga continually ensnaring him in her traps, and Clockworkers constantly interfering, will he be able to save her in time? Or will he pass into darkness and be lost?

  • Sales Rank: #2297773 in eBooks
  • Published on: 2015-01-13
  • Released on: 2015-01-13
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
A satisfying urban fantasy sure to spark and amuse your imagination
By Chad Bowers
In the vein of dark/urban fantasy, reminiscent of Brom, Gaiman, and even King; Clinton Bowers lead you into a fairy-tale landscape that is as dangerous as it is enchanting. The main character, Key, is an imaginary friend who should have been long forgotten. He is little more than a boy and innocent in a dangerous world. At first blush an 'imaginary friend' does not seem a very exciting protagonist, but he quickly reminds us of what it was like to be child; powerless but at the same time awed with the world around him. His adventure leads him on a path of self discovery that appears to be a metaphor, whether intentional or not, for our own paths of self-discovery. Taking risks to find ourselves and discovering what is meaningful to us no matter who tells us what we ought to be, or the circumstances we find ourselves in. For these reasons the reader quickly identifies with Key and becomes invested in seeing him succeed.

The setting alternates between two landscapes. The fairy world of "the Wylds" and our own modern-day USA. The Wylds is filled with pristine beauty, seems to be created from everything ever dreamed, and is empowered with primeval elements of creation. It is as dangerous as it is fabulous however, home to elfin sprites and Tolkien-esque ruins, but also terribly cruel witches and monsters that twist the psyche. The modern world we all know is typical hustle-bustle with multitudes of average Americans, but fae creatures also live alongside them in secret. The consensus reality seems to enforce an ignorance on the majority of regular folks, they are oblivious to faery haunts and unconsciously turn a blind eye to sickly-looking vampires. But this present, modern day stage poses faerykind's most lethal threat: Clockworkers. They are the Men in Black who are cold, calculating, and completely devoid of fancy. The Clockworker conspiracy meticulously works to enforce a systematic lackluster reality by eliminating "anomalies".

Although the storytelling is fun and evocative, the book is flawed with amateur editing that seems to get worse as the reader progresses. Being a self-published book, minor errors may be expected, and the flowing story makes them easily forgivable. This reviewer feels that Key is sure to open doors to the imagination of your childhood, when drawing pictures was magical and we were right to fear the dark.

0 of 0 people found the following review helpful.
Enough with the vampire and werewolf shiz... This is something original
By Sarah77777
“From Sleep” is an excellent and fun read that would normally be expected from big-time authors like Neil Gaiman or Christopher Paolini. The author’s imagination and the book’s setting seems to be pulled directly from the dreams and nightmares of humankind. Mr. Bowers has created his own universe that deserves its own fan base, and I’m sure that it will one day have one.

“From Sleep”’s story is one with which many of us can connect. It’s that of searching for our own identity and the struggle to reach out to people who we love and are attracted too—whether that is reaching out for romance or for friendships. And that story comes with a lot of fun and imaginative adventures, whether its exploring the Wylds, discovering hidden cities, finding treasures, meeting new fun and unique characters, or escaping child-eating witches and monotonous, boring, and logical Clockworkers who represent the dullness and banality of the world which we so often try to escape. And indeed, readers can escape that by experiencing this book.

In summary, it’s a great story that deserves to be more recognized. Enough with the vampire, werewolf, Twilight, run-offs and remakes. “From Sleep” is original. When I read it, I felt like a kid rediscovering Middle Earth or Narnia. I encourage everyone to read it and to experience it on their own, both kids and adults. You’ll get sucked into it, and you’ll start to love the characters like old friends.

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